As much as I love visiting art exhibitions, I don’t think anything can top the Royal Academy’s Summer Exhibition for me. It’s one of the most inspirational art events to attend and I think a big part of that is the accessibility of it. Not only does it happen every year (even last year), but the fact that anybody can submit their artwork makes you feel as though you too could be up on that famous gallery wall one day. Every time I visit I always want to create as soon as I get home.
This year in particular I felt inspired as the exhibition co-ordinator, Yinka Shonibare RA, sought to bring more diversity to the gallery. This mainly focused around the promotion of pan-African art, together with artists who are neurodiverse, disabled, or self-taught, but this also allowed for the inclusion of artwork that is more traditionally seen as ‘craft’ rather than serious art. This feels like an important breakthrough as in 1770 the Royal Academy brought in a rule stating that ‘no needlework, flowers, cut paper, shell-work or any such baubles shall be admitted’, effectively excluding crafts and, by extension, women. Throughout this year’s exhibition there were examples of textile art such as crochet, embroidery, tapestry and quilting. Although I like to dabble in all crafts I see myself primarily as a textile artist, so to see these pieces exhibited alongside more traditional art was actually quite thrilling.
The exhibition is huge. Taking up several rooms you need plenty of time to look around as there is so much to take in. Every wall is covered floor to ceiling with artwork of all different kinds. It is running until 2nd January and I am considering a second trip as I’m sure there were things I missed on my way round, and others that I would like a closer look at. If you want a sneak preview you can browse the items for sale on the RA’s website, but I would still recommend visiting because you can’t beat seeing art in real life.
Tickets cost £22 and it is well worth purchasing a list of works for £3.50. Each work is numbered and the booklet lists the name of each piece, the artist, the materials used, and also the price. The majority of pieces are for sale and can range in price from a few hundred to several thousand pounds. Whilst many of the works are one-offs with only the original available to buy, there are plenty that also have prints available so if you are feeling a bit flash you could buy yourself some limited edition artwork whilst you’re there!
If you are interested in how it all works there is a programme available on BBC iPlayer called ‘Royal Academy Summer Exhibition, which explores the selection process and has interviews with Yinka Shonibare RA, along with several hopeful applicants discussing their work.